<?xml version="1.0" encoding="utf-8"?>
<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Disqus - Latest Comments for deefresh</title><link>http://disqus.com/by/deefresh/</link><description></description><atom:link href="http://disqus.com/deefresh/comments.rss" rel="self"></atom:link><language>en</language><lastBuildDate>Fri, 05 Jun 2026 15:13:06 -0000</lastBuildDate><item><title>Re: The Top 50 NY Producers of all time, Ranked and Explained</title><link>http://33jones.com/revamp/entry.asp/1515/the-top-50-ny-producers-of-all-time-ranked-and-explained#comment-6885381278</link><description>&lt;p&gt;Not sure why but the article keeps getting cut short and the comments keep disappearing. Remainder of the list:&lt;/p&gt;&lt;p&gt;47. Preservation — Brooklyn&lt;br&gt;Preservation grew up in Brooklyn and built a career in the underground working primarily with artists on the Backwoodz Studioz roster, billy woods, Elucid, Ka, developing a production style that uses jazz samples with an unusual degree of restraint and intentionality. His work represents the current state of the art in New York underground production: the beats are doing something, they're not just providing a surface for someone to rap over. "Quiet Dog Bite Hard" is on the playlist because it is Preservation producing Mos Def at a moment when both of them were operating outside the commercial spotlight, and the track demonstrates that a great beat and a great MC can do more with less than most of what the mainstream was offering at the time.&lt;/p&gt;&lt;p&gt;48. Conductor Williams — KC!&lt;br&gt;Conductor is the one I got the most heat on after I posted this. He's from KC, Missouri, and lived most of his life here. I would make the argument that he is essential to what the current NY sound is, that's why I originally put him on the list. But I do understand the arguments against, and if I'm opening it up to someone in KC why not Just Blaze, Ski Beats, etc? Good question, I think primarily I wanted to make sure the new era was represented.&lt;/p&gt;&lt;p&gt;49. J-Zone — Queens&lt;br&gt;J-Zone grew up in Queens and built a career almost entirely outside the mainstream, releasing albums on his own label Root Down Records with a production style that combined genuine crate-digging sophistication with a humor and self-awareness that most hip-hop production deliberately avoided. A Job Ain't Nuthin But Work and $ick of Bein' Rich are genuinely funny records that are also genuinely good records, which is harder to pull off than it sounds, and his drum programming sounds like nothing else. "Gimme Gimme Gimme" with Masta Ace is on the playlist because it is J-Zone's playfulness and Masta Ace's craft in the same room, and the result is a record that rewards repeated listening in the way that most novelty-adjacent hip-hop never does.&lt;/p&gt;&lt;p&gt;50. Necro — Canarsie, Brooklyn&lt;br&gt;Ron Raphael Braunstein grew up in Flatbush and Canarsie, Brooklyn, the son of Israeli immigrants, and built his entire career on independence and uncompromising darkness, founding his own label Psycho+Logical Records in 1999 and releasing a body of work that has maintained a devoted following precisely because it refuses to make any concessions. Building and sustaining an independent label for twenty-five years while maintaining creative control and a consistent aesthetic is a significant achievement regardless of the mainstream's indifference, and his production, dark, heavy, sample-driven, represents a specific strain of Brooklyn underground craft. "Agent Orange" is on the playlist because it is Necro as a producer at his most purely himself, the drums, the darkness, the complete absence of any interest in making you comfortable.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Fri, 05 Jun 2026 15:13:06 -0000</pubDate></item><item><title>Re: Rob Base is more than just It Takes Two!</title><link>http://33jones.com/blogentry.asp?EID=1505#comment-6884867557</link><description>&lt;p&gt;One thing writing this up caused me to do was revisit the production credits. I did not realize (or maybe I did and forgot over the years) that Teddy Riley had a hand in producing It Takes Two.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Thu, 04 Jun 2026 11:09:33 -0000</pubDate></item><item><title>Re: The Top 50 NY Producers of all time, Ranked and Explained</title><link>http://33jones.com/revamp/entry.asp/15151/the-top-50-ny-producers-of-all-time-ranked-and-explained#comment-6884866653</link><description>&lt;p&gt;&lt;a href="https://uploads.disquscdn.com/images/665eaa3a233e9f826e818451fcafd4090ac0c47cecd116034261bf9689586d15.png" rel="nofollow noopener" target="_blank" title="https://uploads.disquscdn.com/images/665eaa3a233e9f826e818451fcafd4090ac0c47cecd116034261bf9689586d15.png"&gt;https://uploads.disquscdn.c...&lt;/a&gt;&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Thu, 04 Jun 2026 11:07:22 -0000</pubDate></item><item><title>Re: The Top 50 NY Producers of all time, Ranked and Explained</title><link>http://33jones.com/revamp/entry.asp/15151/the-top-50-ny-producers-of-all-time-ranked-and-explained#comment-6884866217</link><description>&lt;p&gt;In the meantime here's the remainder of the article, with one update on #48:&lt;/p&gt;&lt;p&gt;46. V Don — Queensbridge, Queens&lt;br&gt;V Don grew up in Queensbridge, the same housing project that produced Marley Marl, Nas, Mobb Deep, and Cormega, and developed a production style that is deeply rooted in that specific tradition, boom bap that takes the legacy seriously without being precious about it. His catalog of work with Queensbridge artists, particularly Cormega and the extended Queensbridge network, represents a continuity of craft that the borough has always valued above trend-chasing. "Long Live AAP"isontheplaylistbecauseitrepresentsVDonworkingoutsidetheQueensbridgecircleanddemonstratingthathisproductiontranslates,AAP" is on the playlist because it represents V Don working outside the Queensbridge circle and demonstrating that his production translates, A&lt;br&gt;AP"isontheplaylistbecauseitrepresentsVDonworkingoutsidetheQueensbridgecircleanddemonstratingthathisproductiontranslates,AAP Rocky over a V Don beat sounds like two different New Yorks having a conversation.&lt;/p&gt;&lt;p&gt;47. Preservation — Brooklyn&lt;br&gt;Preservation grew up in Brooklyn and built a career in the underground working primarily with artists on the Backwoodz Studioz roster, billy woods, Elucid, Ka, developing a production style that uses jazz samples with an unusual degree of restraint and intentionality. His work represents the current state of the art in New York underground production: the beats are doing something, they're not just providing a surface for someone to rap over. "Quiet Dog Bite Hard" is on the playlist because it is Preservation producing Mos Def at a moment when both of them were operating outside the commercial spotlight, and the track demonstrates that a great beat and a great MC can do more with less than most of what the mainstream was offering at the time.&lt;/p&gt;&lt;p&gt;48. Conductor Williams — Brooklyn&lt;br&gt;This is the one entry I've had to re-visit since posting it. Conductor grew up in Kansas City, Missouri, and is still based there. I leaned into the fact that his sound and style is very much "NY" and has helped shape the current sound of NY, so from that lens I still think he deserves to be on here. But he is the most geographically removed from any of the entries on this list, and adding him in here does open the door to including more folks like Ski Beatz. In hindsight I might have removed him and given the spot to Larry Smith or possibly someone more modern like Harry Fraud.&lt;/p&gt;&lt;p&gt;49. J-Zone — Queens&lt;br&gt;J-Zone grew up in Queens and built a career almost entirely outside the mainstream, releasing albums on his own label Root Down Records with a production style that combined genuine crate-digging sophistication with a humor and self-awareness that most hip-hop production deliberately avoided. A Job Ain't Nuthin But Work and $ick of Bein' Rich are genuinely funny records that are also genuinely good records, which is harder to pull off than it sounds, and his drum programming sounds like nothing else. "Gimme Gimme Gimme" with Masta Ace is on the playlist because it is J-Zone's playfulness and Masta Ace's craft in the same room, and the result is a record that rewards repeated listening in the way that most novelty-adjacent hip-hop never does.&lt;/p&gt;&lt;p&gt;50. Necro — Canarsie, Brooklyn&lt;br&gt;Ron Raphael Braunstein grew up in Flatbush and Canarsie, Brooklyn, the son of Israeli immigrants, and built his entire career on independence and uncompromising darkness, founding his own label Psycho+Logical Records in 1999 and releasing a body of work that has maintained a devoted following precisely because it refuses to make any concessions. Building and sustaining an independent label for twenty-five years while maintaining creative control and a consistent aesthetic is a significant achievement regardless of the mainstream's indifference, and his production, dark, heavy, sample-driven, represents a specific strain of Brooklyn underground craft. "Agent Orange" is on the playlist because it is Necro as a producer at his most purely himself, the drums, the darkness, the complete absence of any interest in making you comfortable.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Thu, 04 Jun 2026 11:06:12 -0000</pubDate></item><item><title>Re: The Ninja in the Room: One White Critic's Solution and Everyone Else's Problem</title><link>http://33jones.com/blogentry.asp?EID=1507#comment-6884848741</link><description>&lt;p&gt;Some of his stuff was ragebait (intentional or not), he promoted the idea of lil wayne being the greatest rapper of all time against all arguments, but i thought he was a genuinely good writer. i have not kept up with a ton of his stuff at stereogum but i'd assume that's still more or less the case. i used to get heated about his articles, but in my old age i've come to see him as a fairly well meaning writer. i do think his use of ninja was legitimately an attempt to navigate through an area he had no personal experience/exposure to outside of his writing circles. I am confident many other people at the time, and probably even today, do use it for edginess i very much agree with you there. Though i see as we live in a consequence-free online world these days a lot of people don't even have the courtesy to use ninja and drop the euphemism entirely.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Thu, 04 Jun 2026 10:26:17 -0000</pubDate></item><item><title>Re: The Top 50 NY Producers of all time, Ranked and Explained</title><link>http://33jones.com/revamp/entry.asp/15151/the-top-50-ny-producers-of-all-time-ranked-and-explained#comment-6884666574</link><description>&lt;p&gt;Full article didn't fit in the db, apparently i never wrote anything this long before. Will fix it tomorrow to get the info on the remaining list posted&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Wed, 03 Jun 2026 21:09:28 -0000</pubDate></item><item><title>Re: Rob Base is more than just It Takes Two!</title><link>http://33jones.com/blogentry.asp?EID=1505#comment-6883093348</link><description>&lt;p&gt;My bad, just seeing this now. I suppose this is a good argument for starting with Wikipedia rather than an ai- powered Google search these days. I'll get that updated this week so i don't add to the continuation of it&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Sun, 31 May 2026 10:12:15 -0000</pubDate></item><item><title>Re: Where Are They Now: The Hip-Hop Bloggers</title><link>http://33jones.com/blogentry.asp?EID=1500#comment-6882477206</link><description>&lt;p&gt;Part 2 with more names over here:  &lt;a href="http://33jones.com/revamp/entry.asp/1509/where-are-they-now-the-hip-hop-bloggers-part-ii" rel="nofollow noopener" target="_blank" title="http://33jones.com/revamp/entry.asp/1509/where-are-they-now-the-hip-hop-bloggers-part-ii"&gt;http://33jones.com/revamp/entry.asp/1509/where-are-they-now-the-hip-hop-bloggers-part-ii&lt;/a&gt;&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Fri, 29 May 2026 15:35:50 -0000</pubDate></item><item><title>Re: Where Are They Now: The Hip-Hop Bloggers, Part II</title><link>http://33jones.com/blogentry.asp?EID=1509#comment-6882415113</link><description>&lt;p&gt;Still looking for info on scholar x from souledon, flood from floodwatch, and a few others. Probably have enough juice for one more post on this topic&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Fri, 29 May 2026 13:06:29 -0000</pubDate></item><item><title>Re: Where Are They Now: The Hip-Hop Bloggers</title><link>http://33jones.com/blogentry.asp?EID=1500#comment-6882274014</link><description>&lt;p&gt;Add yourself to the list as well!&lt;/p&gt;&lt;p&gt;I've been pulling together a follow up on this, didn't expect it to get as many views at it did I'll add these to the list. Unkut feels like my biggest miss on the original pass through.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Fri, 29 May 2026 06:54:30 -0000</pubDate></item><item><title>Re: Where Are They Now: The Hip-Hop Bloggers</title><link>http://33jones.com/blogentry.asp?EID=1500#comment-6878899882</link><description>&lt;p&gt;other names that come to mind now after the fact: houstonsoreal (matt sonzala), somanyshrimp, beerandrap, clyde from prohiphop, sneakdiss, chauncey bloggups, dj mehdi...&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Wed, 20 May 2026 19:12:02 -0000</pubDate></item><item><title>Re: Where Are They Now: The Hip-Hop Bloggers</title><link>http://33jones.com/blogentry.asp?EID=1500#comment-6878887218</link><description>&lt;p&gt;One of the bigger ommissions of the above list is Status Ain't Hood. That was intentional as I have a followup article on Tom Breihan and the invention of "ninja" as a rap lyric placeholder.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Wed, 20 May 2026 18:22:45 -0000</pubDate></item><item><title>Re: Oi, new song from Limoblaze and DC3: "Cole Palmer"</title><link>http://33jones.com/blogentry.asp?EID=1498#comment-6877887278</link><description>&lt;p&gt;I suppose I should also mention that "Cole Palmer" is a soccer/futbol player from Manchester, England.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Mon, 18 May 2026 13:22:58 -0000</pubDate></item><item><title>Re: New 33jones Mix: He's Hers x Bless1 - Instrumentals for the Late Night Loop</title><link>http://33jones.com/blogentry.asp?EID=1495#comment-6875973637</link><description>&lt;p&gt;Seems like a good time to mention i revamped the "Artists" page on this site so that it is fully searchable and contains a lot more entries than it did previously. So if you want to hear more from He's Hers or Bless1 (or anyone else we've featured in the past) go click on the Articles tab at the top of the main page.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Wed, 13 May 2026 15:54:27 -0000</pubDate></item><item><title>Re: Is AI Video Generation Ready for Real Music Videos or Is It Still AI Slop?</title><link>http://33jones.com/blogentry.asp?EID=1493#comment-6874685595</link><description>&lt;p&gt;Worth noting also that, while freebeat does give you some free tokens, if you are going to make a full music video you're likely going to have to pay. I spent about $20 on credits to make these 3 videos + a 4th video that kept erroring out on the final step and I never completed.&lt;/p&gt;&lt;p&gt;Where freebeat really does well is on making 10 second clips designed for tiktok. If you're looking to create some quick promo videos for an upcoming song/album, that is likely going to give you some good results right now.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Sun, 10 May 2026 18:10:41 -0000</pubDate></item><item><title>Re: 33jones -- Gigantic: Small Professor remixes Elzhi, Zilla, Mally, Has-Lo</title><link>http://33jones.com/blogentry.asp?EID=1329#comment-412251923</link><description>&lt;p&gt;Yo Commish! Always good to see you come through. Great post on the best of 2011 btw, I picked up a couple of new cds as a result of that.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Sun, 15 Jan 2012 18:03:53 -0000</pubDate></item><item><title>Re: 33jones -- The Cause &amp; Knowledge Offer Up Some Truth (NJ Hip Hop)</title><link>http://33jones.com/blogentry.asp?EID=1322#comment-396499764</link><description>&lt;p&gt;I don't want to put your name on blast, but I know who you are. We actually know a lot of the same people from Madison, so it's good to see you come through.&lt;/p&gt;&lt;p&gt;I dig the song, not enough emcees repping Jersey like this any more. I would've said it would be a good look for you to collab with them at some point, but maybe not!&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Thu, 29 Dec 2011 09:49:59 -0000</pubDate></item><item><title>Re: 33jones -- She's From Rolling Stone: Rocky Rivera Raps Over J Dilla</title><link>http://33jones.com/blogentry.asp?EID=1269#comment-231807079</link><description>&lt;p&gt;Ha, yeah I think she gets that reaction a lot. When she linked to that Dilla verse on 2dopeboyz, she posted it along with a note saying, "If you like it, please leave a comment saying something other than 'I'd smash that'". She seems to have a pretty good sense of humor about it.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Wed, 22 Jun 2011 07:36:02 -0000</pubDate></item><item><title>Re: 33jones -- Photo - Slug shows his support for Mally</title><link>http://33jones.com/blogentry.asp?EID=1262#comment-215376292</link><description>&lt;p&gt;I'm trying to think of what the equivalent of this would be for a blogger. I think my new mission in life is to get Oliver Wang to wear a 33jones t-shirt.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Wed, 01 Jun 2011 07:33:32 -0000</pubDate></item><item><title>Re: 33jones -- Reexamining P.M. Dawn (Defending the Indefensible?)</title><link>http://33jones.com/blogentry.asp?EID=1100#comment-166949050</link><description>&lt;p&gt;Well on the one hand, what KRS did to Prince Be was exactly the thing that his whole Stop The Violence movement and Self Destruction was speaking out against. So not a good look for him in that regard.&lt;/p&gt;&lt;p&gt;On the other hand, KRS seems to honestly think of 'hip hop' as an actual living entity (I'll leave it up to you as to what that says about his state of mind, but nevertheless he seems to have fully anthropomorphized hip hop). So it isn't entirely surprising that he would act out against someone that, in his view, was offering up the ultimate disrespect to hip hop: crossing over. Though it is interesting that he chose to attack a crossover artist who happened to be a pacifist rather than any of the other many crossover artists who might have actually fought back, like Hammer, who had some legitimate street connections back in the day.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Wed, 16 Mar 2011 21:23:38 -0000</pubDate></item><item><title>Re: 33jones -- Alex Ludovico - Heat. Prey. Love.</title><link>http://33jones.com/blogentry.asp?EID=1187#comment-90555479</link><description>&lt;p&gt;Fair point but in this case I was referring only to the gunit style of&lt;br&gt;nothing but jacked beats on a tape.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Tue, 26 Oct 2010 19:51:53 -0000</pubDate></item><item><title>Re: 33jones -- New Music from Curly Castro, Chachi and j.Depina (MPfrees)</title><link>http://33jones.com/blogentry.asp?EID=1176#comment-80022534</link><description>&lt;p&gt;As I'm at work, I can't update the actual post itself right now but here's the link to Zilla and Castro's new Str8 Westcoastin' mix:&lt;/p&gt;&lt;p&gt;&lt;a href="http://clapcowards.com/2010/09/22/curly-castro-zilla-roccas-str8-westcoastin-mix/" rel="nofollow noopener" target="_blank" title="http://clapcowards.com/2010/09/22/curly-castro-zilla-roccas-str8-westcoastin-mix/"&gt;http://clapcowards.com/2010...&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Here's the tracklisting:&lt;/p&gt;&lt;p&gt;1.  Zilla Rocca’s Hellafied Intro&lt;br&gt;2.  ”Mix Tapes” The Nonce&lt;br&gt;3.  ”Exploits and Glitches” Noncando&lt;br&gt;4.  ”Critical (Madlib Remix)” Zion I f/ Planet Asia&lt;br&gt;5.  ”Killin’ It” Tha Alkaholiks f/ Xzibit&lt;br&gt;6.  ”Made N*****” 2pac f/ Outlawz&lt;br&gt;7.  ”Ditty” Paperboy&lt;br&gt;8.  ”Doggy Dogg World” Snoop Doggy Dogg f/ The Dogg Pound&lt;br&gt;9.  Curly Castro’s Brooklyn Dodger Lament&lt;br&gt;10.  ”Still Cruisin’” Eazy E f/ The Game&lt;br&gt;11.  ”Place of Birth” Planet Asia&lt;br&gt;12.  ”Mr. Dobalina” Del Thee Funkee Homosapien&lt;br&gt;13.  ”Tell Me When To Go” E-40 f/ Keak Da Sneak&lt;br&gt;14.  ”She Swallowed It” N.W.A.&lt;br&gt;15.  ”Soul On Ice (Diamond D Remix)” Ras Kass&lt;br&gt;16.  ”Otha Fish” Pharcyde&lt;/p&gt;&lt;p&gt;Stream link: &lt;a href="http://www.mixcloud.com/5pmshadowboxers/str8-westcoastin-mix/" rel="nofollow noopener" target="_blank" title="http://www.mixcloud.com/5pmshadowboxers/str8-westcoastin-mix/"&gt;http://www.mixcloud.com/5pm...&lt;/a&gt;&lt;/p&gt;&lt;p&gt;D/L link: &lt;a href="http://www.sendspace.com/file/r2bjy0" rel="nofollow noopener" target="_blank" title="http://www.sendspace.com/file/r2bjy0"&gt;http://www.sendspace.com/fi...&lt;/a&gt;&lt;br&gt;&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Wed, 22 Sep 2010 08:03:45 -0000</pubDate></item><item><title>Re: 33jones -- Unreleased Bless 1 songs featuring J Dilla, Madlib and Nas</title><link>http://33jones.com/blogentry.asp?EID=751#comment-74922099</link><description>&lt;p&gt;I'll ask Bless and see if he remembers. I'll let you know as soon as I here back from him.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Fri, 03 Sep 2010 17:42:27 -0000</pubDate></item><item><title>Re: 33jones -- Digging in the (Youtube) Crates - Yvonne Fair's Let Your Hair Down</title><link>http://33jones.com/blogentry.asp?EID=1165#comment-68161802</link><description>&lt;p&gt;I should've checked my links better. That myspace page for "DJ Spectacular" is not DJ Spictacular's.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Thu, 12 Aug 2010 07:55:00 -0000</pubDate></item><item><title>Re: 33jones -- New Music from the Outsidaz!</title><link>http://33jones.com/blogentry.asp?EID=1143#comment-54810791</link><description>&lt;p&gt;Funny you mention that. I've been working on a post about the history of the Outsidaz, and I did a small interview with a guy who worked with D.U. (the founder of Outsidaz) and asked him about that. Big Pun heard Rain or Shine when the Outsidaz opened for him at one of his early shows. According to this guy, Pun not only jacked the sample he got the label to block the Outz from officially releasing Rain or Shine.&lt;/p&gt;&lt;p&gt;I don't really have any way to confirm that, but from a couple of other periphereal Outz members that I've talked to, they all got a little heated when the subject came up. &lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">fresh</dc:creator><pubDate>Fri, 04 Jun 2010 18:31:40 -0000</pubDate></item></channel></rss>